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A digital museum for fine art, designed screen by screen.

Digital Fine Art

Brand identity, Website, Presentations, Social & content

A digital museum for fine art, designed screen by screen.

Two years of brand, website, print and social for a platform bridging fine art and Web3: UI from V1 to V2, brand guidelines and brochures in two languages.

A digital museum for fine art, designed screen by screen.

The challenge

Digital Fine Art set out to bridge Web3 and fine art: artist collections, a members' club called L'Atelier and a staking museum. The audience mixed art collectors who expect gallery-grade restraint with a crypto audience used to loud launches. Every touchpoint, from the website to a Georges Braque catalogue, had to feel like it belonged in a museum.

The insight

Borrow the codes of the museum, not of crypto: parchment, burgundy and editorial type make a new medium feel collectable.

The approach

Our designers built the website first, from UI V1 to V2 and final screens, a virtual museum hall with an illustrated Vision page and the L'Atelier club, then codified what worked into brand guidelines. Brochures in English and French, a catalogue, flyers, a social series and collection assets all followed the same system through two years of releases.

The project

Two years of brand, website, print and social for a platform bridging fine art and Web3: UI from V1 to V2, brand guidelines and brochures in two languages.

What we delivered

  • Website UI V1 → V2 and final screens; builds and a 2023 redesign
  • Brand guidelines
  • Brochures and presentations in English and French
  • Georges Braque catalogue and flyers
  • Social post series for launches, mints and events
  • Staking Museum logo, token and collection assets

Process

How we got there.

Design — UI from V1 to V2

A virtual-museum homepage, an illustrated Vision page, L'Atelier, timeline, FAQ and team screens, refined through design rounds and a client QA pass.

Final screens: homepage, Vision, L'Atelier

Three final Digital Fine Art screens in browser windows: the homepage museum hall with the Featured Collection, Staking Museum and mint countdown, the top of the illustrated Vision page, and the L'Atelier members' club page.

Design — Brand book and Staking Museum

Values, voice, type and a burgundy palette written into guidelines; the Staking Museum mark drawn from ink sketch to colour.

Staking Museum, from sketch to final

The Staking Museum illustration in two stages: a black-and-white ink sketch of an easel holding the DFA monogram in a gallery, and the final version with a burgundy floor and cream walls.
The L'Atelier page of the Digital Fine Art site: the members' club explained on parchment, with five illustrated benefits from Spotlight Artists to the Staking Museum.
Two full Digital Fine Art pages side by side: the Vision page with ink illustrations and a hand-drawn line through the text, and the Timeline page from the Genesis Cigar Man release to the future roadmap.
The DFA FAQ page with an accordion of questions, next to the L'Atelier page with the Spotlight Artists panel open: how keyholders vote on upcoming artists, beside an ink drawing of a stage spotlight.
The DFA 'Contact us' modal: a parchment form with fields for name, e-mail, subject, message and attachments over the darkened Vision page.
Four pages of the DFA brand guidelines: the colour palette in jet black, light red, DFA red, grey and white; text-logo usage on black, red and white; the DFA monogram on its own; and the repeating monogram pattern.
Two pages of the DFA brand guidelines: the brand overview linking the members' club, art digitalisation and technical utilities with ink icons, and the graphic elements, including the Staking Museum easel drawings, the L'Atelier script logo and the DFA token.
Cover of the Digital Fine Art 2023 brochure: an outlined DFA monogram pattern on white, the line 'Bridging the gap between Web3 and Fine Art' and the Digital Fine Art logo.

Results

What it added up to.

The site went live with a newsletter sign-up and was redesigned in 2023, and the brand book, bilingual brochures and print kept every release consistent across two years. A new medium was presented with the restraint of a gallery, in two languages.

The outcome

What the work changed.

The site went live with a newsletter sign-up and was redesigned in 2023, and the brand book, bilingual brochures and print kept every release consistent across two years. A new medium was presented with the restraint of a gallery, in two languages.

A note from Alex

DFA was one of the longest relationships of my early years. The hardest part wasn't the volume, it was restraint: making something new feel like it had always hung in a museum, in two languages and across every release. When the client wrote back about the L'Atelier page, we knew the tone was right.

Alex Codreanu
Founder and design lead

What the client said

Credits

FA Studios: UI/UX, website, brand guidelines, editorial and print design, social and motion assets.

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